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caldas late night is an event held in caldas da rainha, portugal every year around mid-end may. you should visit some day.
its 2/3 days of wide open street and particular rented houses by the students of the financial, marketing corporate arts school whatever, showing whatever. it is really funny.
this was a poster i designed in the 14th edition, 4 years ago, ripped off by time and unknown people. sober, drunk, high, low…
the print factory printed it, i just gave them the digital matrice. probably offset litography.

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this year had the chance to meet up in milano for 5 days and 4 nights of large doses of caffeine, paper, wood type, furniture, presses, shit loads of beautiful proofpresses…
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this one goes to nick that drank shit loads of beer, shit loads of mosquito bites and borrowed tobbaco himself to end up on the floor in an epic picture somewhere on the darkweb already doing profit. one of my favourite prints, first color.
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thrashed advertising to something sexy. billboard on metro station. brilliant.
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arrivato.
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first shit given. bergamos men toilet door.
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china town cheap print ads in a post, milano 2014.
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props to officina tipografica novepunti’s wood type collection.
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claudio e simone from &type, chillin’.
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cheers to this girl that slept with us gipsy way. she was quite interested in alcoolic beverages and printing.
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giacomo from the screen printing studio at leoncavallo’s coffee stand.
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edgar and alejandra. chilli candys 8)
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christian doing his yoga.
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here are the most beautiful prints i’ve done in years.
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big poster for the event’s propaganda. screen and type printing. officina tipografica novepunti..
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fernanda.
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piazza duomo.
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screen at garibaldi metro station.
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gutters.
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visto vinicio capossela con laura e una bottiglia di vino. grazie bella!
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latteria.
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romanian real photo exhibition at bergamo airport.
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there are two different editions for this piece. a white dot and a black dot. different paper stock—black dot is heavier but the paper is the same. poster paper from local print factory.

matrix is different in both editions—one is nailed to a wood board and more or less type-high. the other one is free and it isn’t nailed, so the difference in the dots and editions.

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above is a 1 bit-flavor scan of the first edition, printed in my heidelberg windmill, which is resting a bit now… nervous breakdown… she’ll be fine.

meanwhile, i did some prints with the unnailed one on a big etch printing press, with some big sheets of paper with several colors of offset ink.

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below is a photo from someone (let me say that its cool by the medium.) of the wall made in casa bernardo with help of good friends, printed on an analog hand driven proofpress, borrowed kindly by someone let me say that its cool by the medium.

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